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funkyguy New user 73 Posts |
I saw Mr. Haydn himself do this at a conference several years ago and liked it so much that I bought it. I have been doing it since then with his routine slightly modified to suit me. I was wondering if anybody out there would had any other great presentation ideas for this effect? Maybe using a spectator or something? Let me know.
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zombieboy Special user Connecticut, USA 889 Posts |
Could you describe the effect?
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vinsmagic Eternal Order sleeping with the fishes... 10957 Posts |
Try Buying
Whits video The Mongolian Pop Knot it is one of the best vinny |
Harry Murphy Inner circle Maryland 5444 Posts |
The Effect is rather straightforward.
A rope is cut, tied together and the knot pops off. Then the rope is cut into three equal lengths that seem to change size (short, medium, and long pieces), and then they are stretched and shrunk back to three equal lengths. The three ropes are tied together, the two knots are “popped” off and tossed into the audience, and the rope is shown restored to one piece.
The artist formally known as Mumblepeas!
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Whit Haydn V.I.P. 5449 Posts |
Great description, Harry. The routine is premised upon teaching the audience how to do the "old cut and restored rope." Everything in the routine is motivated, and makes sense in context.
It is not just a series of rope "effects" done one after the other. The internal line of reasoning helps to hold the interest of the spectators and keep them focused on the trick. The humor comes from the performer not realizing that he is making sexual double entendres in his instruction, and his frustration with the audience's laughter and lack of attention, as if he were a substitute teacher and they were an unruly class. The rope used is 12 to 14 feet, and that allows the routine to be used on the largest stages. I performed it once for eight thousand people when opening for Conway Twitty. It plays really big. |
JamesinLA Inner circle Los Angeles 3400 Posts |
Mr. Haydn has put a lot of deep thought into the routine that, I believe, was arrived at by doing the trick on the street. Like the fact that once the rope was restored back into one piece after the professor's nightmare, audience would like to inspect the rope. Whit discovered that by having the knots "pop off" and then throwing the knots into the audience, that satisfies the audience and they no longer have the desire to inspect the rope at the end of the routine. I have used the effect myself on the street to great effect. "How does he do that?!" is what you hear.
Jim
Oh, my friend we're older but no wiser, for in our hearts the dreams are still the same...
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Pete Biro 1933 - 2018 18558 Posts |
James... going to Europe for a few weeks, when I get back, we should get together at the Castle... had a ball last week with several Magic Café folks in attendance to watch Steven Youell... he is coming back Sept. 25 to work the W. C. Fields bar there.
See ya
STAY TOONED... @ www.pete-biro.com
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Whit Haydn V.I.P. 5449 Posts |
James:
Thanks for your comments about performing the routine on the street. Yes, it was developed on the street back in the 60's in New York City, along with my Comedy Four Ring Routine. The entire trick is built around the need to draw a crowd and for holding their attention, and keeping them from walking off on you. If this routine works to keep an audience under the conditions of the street, it is even more powerful when the audience is in a controlled environment as in a theater setting. |
JamesinLA Inner circle Los Angeles 3400 Posts |
Pete,
Just saw your post. Have fun in Europe with their new money and look forward to getting together at the castle upon your return! Whit, Thanks for two great routines which I have used on the street to great effect: your rope routine and your 4 ring routine. Working the street, I have found, is strengthening my performing abilities overall, so that I will be better in other situations as well.
Oh, my friend we're older but no wiser, for in our hearts the dreams are still the same...
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sdgiu Elite user The Boonies, NC 456 Posts |
Ok guys, I'm a little confused , it sounds like a series of tricks tied together by a good story line,
i.e.: (please pardon the probable oversimplification.) a cut and restored rope routine, a Professors nightmare routine, and at least one more cut and restored routine, all using the same rope. If this correct, where can I buy Whit’s video, “The Mongolian Pop Knot”? Thanks Steve |
cfrye Special user Portland, Oregon, USA 940 Posts |
Quote:
On 2003-11-02 17:23, sdgiu wrote: It's not that much of an oversimplification, actually. There's a lot to the handling of the routine, of course, but that is the sequence. Quote:
If this correct, where can I buy Whit’s video, “The Mongolian Pop Knot”? You can visit the School for Scoundrels at http://www.schoolforscoundrels.com/ and see if they have any videos left. There is also a manuscript available, which I do recommend you get. Also, if I remember correctly, the School for Scoundrels videos will be released on DVD by the end of the year. |
BroDavid Inner circle America’s North Coast, Ohio 3176 Posts |
Last I checked they (School for Scoundrels) didn't have any videos left, so I picked up the manuscript. It is just what you would expect, very visual, great audience appeal, and "street proven."
Although I am a very visual learner, and usually prefer video, this isn't rocket science, so with the booklet, and an appropriate amount of practice, it is highly effective. BroDavid
If you stand for nothing, you will fall for anything.
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