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The Magic Cafe Forum Index » » Ever so sleightly » » Face it - The Cups and Balls are .. BORING Printer Friendly Version
Frank Starsini

Eternal Order
Northern California
12226 Posts
Posted: Apr 9, 2012 11:24am    Reply with quote   View Profile of Frank Starsini  

Someone emailed me how tips on the Cups and Balls.
I replied...

The cups and balls is boring. Period.
The cups and balls needs to be entertaining. You can do it!
DO NOT try to incorporate tons of your favorite moves/slights into the routine.
DO NOT make it long.
DO NOT make it complicated.

Most routines are way too long. because magicians like tons of moves and want them all in their routine.
Your audience is NOT a room full of magicians.

www.theambitiouscard.com Hand Crafted Magic

Trophy Husband, Father of the Year Candidate,
Chippendale's Dancer applicant, Unofficial World Record Holder.
Harry Murphy

Staff
Maryland
4853 Posts
Posted: Apr 9, 2012 11:35am    Reply with quote   View Profile of Harry Murphy  

Frank, even a room full of magicians find some (if not most) Cups and Balls routines boring.

The artist formally known as Mumblepeas!
Frank Starsini

Eternal Order
Northern California
12226 Posts
Posted: Apr 9, 2012 11:39am    Reply with quote   View Profile of Frank Starsini  

I'm sorry about that. I hit a key and something happened.
My original post was meant to be (unfortunaly for you) longer...



I will also add that most magicians when starting out try to impress themselves/spectators/victims with their own
"improvements" by incorporating every possible phase they can think of with intellectually stimulating
transitions from phase to phase to phase, adding in (stealing) phases from every known great routine on the planet
to make their routine "the mother of all c&b routines".

That's what I would call "the more phases the better" theory and the more they add, the worse it gets.
There is no better example of "less is more" than the cups and balls.

If you really want to know how entertaining your routine is, get to a street corner and break it out, baby.
You'll be shocked how awful it is. Until one day, when you've killed your darlings, learned to interact with your spectators,
reduced the routine to it's simplest form, stopped focusing on the boring cups and the awful little red balls and actually learned to be entertaining, yourself.

Many years ago, that's how I found out my routine was awful. Not a great day but it was a start.

www.theambitiouscard.com Hand Crafted Magic

Trophy Husband, Father of the Year Candidate,
Chippendale's Dancer applicant, Unofficial World Record Holder.
kentfgunn

Inner circle
Tampa FL
1424 Posts
Posted: Apr 9, 2012 12:24pm    Reply with quote   View Profile of kentfgunn  

Frank,

I've seen a couple of routines I thought went a little long. That's never been my major beef. I see way too many magicians doing Vernon's routine, too many doing Ammar's routine and too many doing very minor modifications of those two routines.

The two guys who synthesized those two routines did so, knowing their own skills and presenational skills. I'd bet a dollar they even picked sleights they knew they did well.

I can't guess at how many revisions or fits and starts drew them to the point where they thought the routines were pretty well gelled. You can see Vernon do slight modifications of his sequences in the live footage we have of him. I've seen Michael Ammar do a completely new cups and balls routine of late, he's not done with the trick yet!

I think knowing your own presentational limitations is one key. Even my short routine takes about three minutes and change. That's a long time for a trick for me. I only have one other piece that's longer. The trick has a lot of props and is complex, by it's design.

Most routines I see that I think are less good than others lack clarity of effect. The balls jump around . . . that's all I can tell is happening sometimes, and I have a working knowledge of Vernon and Ammar's routine. Pedestrian patter that simply reiterates what a four-year-old can tell is happening doesn't add much.

Bunch of different paths to go on to improve. If you're trying to get better and making some headway, you're better off than the vast majority who couldn't load a pebble under a trashcan.


KG
Pete Biro

V.I.P.

17761 Posts
Posted: Apr 9, 2012 12:41pm    Reply with quote   View Profile of Pete Biro  

Nutty Surprise is not boring.

Actually cups and balls is not boring.

It's the performer that is boring.

STAY TOONED... @ www.petebiro.com
Frank Starsini

Eternal Order
Northern California
12226 Posts
Posted: Apr 9, 2012 12:45pm    Reply with quote   View Profile of Frank Starsini  

Thanks for chiming in Ken.

Here are a few of the key mistakes I see:
1. way too long
2. ignoring the spectators
3. pattering away, describing (as you say) what a four-year-old can tell is happening
4. awful attempts at humor
5. creating a unique routine before understanding any of the old ones.
6. trying to be/act like a certain performer (gazzo, for instance)
7. thinking that this is entertaining: now they're here, now they're here, this one's here, that one's there, this one goes thru, that one doesn't, they're all over there, I put 'em all away and now they're all back, and now we've got oranges. ta da!
8. using the phrase... "now, I know what you're thinking. you're thinking maybe..." *puke*

The last one is a personal pet peeve of mine because it is so often used sooooo poorly

In fact, most spectators aren't thinking anything if you're not engaging them. If you're "pattering" instead of engaging them, they're probably just staring at the cups, the cute girl across from them, your unpolished shoes, your dirty fingernails, wondering what's for dinner,
etc., or expertly watching for a slightest break in the patter so as not to embarrass you; waiting to make a break for it and taking off, for an early escape.

www.theambitiouscard.com Hand Crafted Magic

Trophy Husband, Father of the Year Candidate,
Chippendale's Dancer applicant, Unofficial World Record Holder.
billappleton

Inner circle
Los Gatos, California
1049 Posts
Posted: Apr 9, 2012 1:11pm    Reply with quote   View Profile of billappleton  

- Tension of Mystery

not much mystery for the cups and balls, could benefit from more bizarre treatment or story telling angle

- Tension of Task

not very interactive, and hard to tell where the cups and balls routine is headed

- Tension of Relationship

the homogeneity of the three cups and the various balls is not helping establish relationships

- Tension of Surprise

this one is the strong point for the cups and balls with the final loads

I like the benson bowl because the sponges can be more interactive and the relationships are simpler. this helps with some task and relationship tension.

Check out Under Glass
A Clearly Impossible Prediction!
mrehula

Regular user

171 Posts
Posted: Apr 9, 2012 2:23pm    Reply with quote   View Profile of mrehula  

Quote:

7. thinking that this is entertaining: now they're here, now they're here, this one's here, that one's there, this one goes thru, that one doesn't, they're all over there, I put 'em all away and now they're all back, and now we've got oranges. ta da!



This is my main problem with coin magic. Too many performers try to pass off confusion as magic. Plus, I have yet to see one coin worker explain WHY a coin would appear or disappear from an elbow.

Despite all this, however, I recently obtained a nice set of cups and balls and would like to develop a routine. I've been avoiding doing so because, well, I agree, cups and balls are boring. But it's certainly POSSIBLE to make them interesting (though, let's face it, I don't think I'm the magician to achieve 'interesting' nor 'magical' . . . ).
Pete Biro

V.I.P.

17761 Posts
Posted: Apr 9, 2012 3:04pm    Reply with quote   View Profile of Pete Biro  

Some will disagree.... but.... learn a basic routine, like Dai Vernon's Then learn how to make it fun to watch, use it as just a tool to make you be a fun, entertaining kinda guy.

STAY TOONED... @ www.petebiro.com
Frank Starsini

Eternal Order
Northern California
12226 Posts
Posted: Apr 9, 2012 3:55pm    Reply with quote   View Profile of Frank Starsini  

Pete, if they disagree... they're wrong.

www.theambitiouscard.com Hand Crafted Magic

Trophy Husband, Father of the Year Candidate,
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FrenchDrop

Inner circle
I can name that tune in
1662 Posts
Posted: Apr 9, 2012 4:24pm    Reply with quote   View Profile of FrenchDrop  

Quick question from someone who doesn't know a lot about the history of the cups & balls...when people refer to Dai Vernon's routine, do they generally mean his Impromptu Cups & Balls from Stars of Magic, or some other routine? If it's another one, where is it published? Thanks!

"A great magician has said of his profession that its practitioners '… must pound and rack their brains to make the least learning go in, but quarrelling always comes very naturally to them.'” -- Susanna Clarke, Jonathan Strange and Mr Norrell
kentfgunn

Inner circle
Tampa FL
1424 Posts
Posted: Apr 9, 2012 4:29pm    Reply with quote   View Profile of kentfgunn  

FD,

The routine most folks mean was published as a pamphlet (my copy is orange) by Supreme magic. Copies of that aren't too hard to find. It's very different from the Stars of Magic version.

It was also published in The Dai Vernon Book of Magic. The Essential Vernon contains the routine. L&L is the publisher of both of those books.

The complete Vernon routine is fully fleshed out and, in my not so humble opinion, much better explained and illustrated in Michael Ammar's Complete Cups and Balls. The DVDs he put out with the same title may help as well.


Pete,

I really think Vernon's routine is way too much as a starting point. There's nothing basic about his sequences. I believe it is too much to present well for beginners.

Fran,

Work on your spelling


KG
FrenchDrop

Inner circle
I can name that tune in
1662 Posts
Posted: Apr 9, 2012 4:34pm    Reply with quote   View Profile of FrenchDrop  

Thanks, Kent!

"A great magician has said of his profession that its practitioners '… must pound and rack their brains to make the least learning go in, but quarrelling always comes very naturally to them.'” -- Susanna Clarke, Jonathan Strange and Mr Norrell
Frank Starsini

Eternal Order
Northern California
12226 Posts
Posted: Apr 9, 2012 5:40pm    Reply with quote   View Profile of Frank Starsini  

KENT! Yes, I know your name. My apologies. I don't see how I missed that. Anyway, Ken, sorry that you had to point that out!

Frank

www.theambitiouscard.com Hand Crafted Magic

Trophy Husband, Father of the Year Candidate,
Chippendale's Dancer applicant, Unofficial World Record Holder.
Jeff Christensen

Regular user

181 Posts
Posted: Apr 9, 2012 7:29pm    Reply with quote   View Profile of Jeff Christensen  

No such thing as a boring trick only a boring magician.
JESmagic

New user
Cleveland, Ohio
84 Posts
Posted: Apr 9, 2012 7:30pm    Reply with quote   View Profile of JESmagic  

I agree with many of the comments in this post. When I perform cups and balls to laymen, I keep the routine relatively short, to the point, and get to the final loads. I used to do a much longer routine--mostly to amaze myself as I got better and better doing the various cup moves.

There's nothing wrong with performing Vernon's routine, or Ammar's routine. I would agree with Pete--learn either of those routines WELL and them perform them well. With time, one can then add their own personality into the routine. Eventually, you can conceive an entirely new routine, like Kent Gunn's--which is a masterpiece, in my opinion.

I've been performing cups and balls for over 15 years, which is a short timeframe compared to some of my colleagues on this forum. I started learning Vernon's routine...then changed it up a bit. I have 4 basic routines now--one for laymen, one for magicians, one for magician's who perform the cups and balls, and one that I perform only for me (which is where I noodle around and improve). I also watch as many cups and balls performers as possible, to see how they manage things that I find difficult to do.

The point is, that the cups and balls is trick that constantly evolves, which is what makes it a classic. But whatever routine you perform--bring yourself into the routine. If you're performing Vernon's routine...DON'T perform it exactly like Vernon. Create your own lines....don't talk about being "ambidextrous" or balls jumping back to "their little houses underneath the cups". It is natural when one is learning a routine to emulate another's performance--especially beginners.

Keep it simple, fun, and entertaining.

Jonathan Schweid, M.D.
President, JESmagic
Andrew Zuber

Inner circle
Manhattan Beach, CA
2406 Posts
Posted: Apr 9, 2012 7:51pm    Reply with quote   View Profile of Andrew Zuber  

I wish someone would brainwash me so I could watch a cups and balls routine and be fooled again. I've studied it so much it's hard to be surprised much. That said, I saw Johnny Ace Palmer at the castle last night, and the guy is SO good. I knew what the final loads were but I watched the show once for my own enjoyment, stepped out and got right back in line to see it again and watch the spectators. Aside from his loads, Johnny's routine is fairly simple and straight forward...yet it KILLS. I'm thrilled I watched it twice, just to be entertained by the audience reactions. It felt like I was in on the secret and it's so nice to see genuine laymen be amazed and entertained by something that so many of us take for granted.

I'm with the others - keep it short unless you've got a personality like Master Payne and can get away with a 15 minute presentation. Know your limits and have some fun with it...and don't get jaded. We've all seen a hundred different cups and balls routines. Our spectators haven't. The moves that long ago stopped being amazing to us can still fry the smartest of audiences.

"I'm sorry - if you were right, I would agree with you." -Robin Williams, Awakenings
The Burnaby Kid

Inner circle
GwangJu, South Korea
2720 Posts
Posted: Apr 9, 2012 9:34pm    Reply with quote   View Profile of The Burnaby Kid  

It's probably worth exploring what the individual phases really offer.

For instance, the 2-0-2 sequence allows for audience participation, which is a good thing if you're Master Payne and can make the whole experience funny, but a bad thing if you stink at audience participation.

Similarly, Vernon's sophisticated elimination sequence is fantastic for what it offers if you can keep everything clear, but muddy as heck if you can't.
afinemesh

Inner circle
In Sebastopol, Ca. on a fence built with
1523 Posts
Posted: Apr 10, 2012 12:45am    Reply with quote   View Profile of afinemesh  

Quote:

On 2012-04-09 21:34, The Burnaby Kid wrote:
It's probably worth exploring what the individual phases really offer.

For instance, the 2-0-2 sequence allows for audience participation, which is a good thing if you're Master Payne and can make the whole experience funny, but a bad thing if you stink at audience participation.

Similarly, Vernon's sophisticated elimination sequence is fantastic for what it offers if you can keep everything clear, but muddy as heck if you can't.



Well put!

"I've always been mental, I'm sure of it" Boris Pocus

"Someday we'll look back on this and it will all seem funny". . .Bruce Springsteen
fortasse

Inner circle

1139 Posts
Posted: Apr 10, 2012 12:55am    Reply with quote   View Profile of fortasse  

We all use the word "short" (as in routine) but seldom translate it into minutes. Short for me would be, say, 3 to 4 minutes or even less. I suspect that most audiences will start getting bored beyond that time unless, of course, you cast a spell over them to keep it going.
Payne

Inner circle
Seattle
4264 Posts
Posted: Apr 10, 2012 1:12am    Reply with quote   View Profile of Payne  

Quote:

On 2012-04-10 00:55, fortasse wrote:
We all use the word "short" (as in routine) but seldom translate it into minutes. Short for me would be, say, 3 to 4 minutes or even less. I suspect that most audiences will start getting bored beyond that time unless, of course, you cast a spell over them to keep it going.



Or you could use the words scenes, acts or movements. A longer routine can be broken up into smaller segments each leading or building into another. A good routine is a series of related events strung together in a common theme that moves the plot ever forward. The trick, as with most, isn't entertaining by itself. It's the presentation and interaction that keeps the audience engaged and entertained.

I contend that we are both atheists.
I just believe in one fewer god than you do.

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pepka

Inner circle
Uh, I'm the one on the right.
3797 Posts
Posted: Apr 10, 2012 1:35am    Reply with quote   View Profile of pepka  

I'm with Pete. It's not the song, it's the singer. I think there are very few tricks in the world that are boring no matter who performs them. I know this will put a price on my head, but for me at the top of the list is Out of this World. Zzzzzzzzzzzzzzzzzzzzz

www.forentertainmentonly.com
The Burnaby Kid

Inner circle
GwangJu, South Korea
2720 Posts
Posted: Apr 10, 2012 3:57am    Reply with quote   View Profile of The Burnaby Kid  

Quote:

On 2012-04-10 01:12, Payne wrote:
Quote:

On 2012-04-10 00:55, fortasse wrote:
We all use the word "short" (as in routine) but seldom translate it into minutes. Short for me would be, say, 3 to 4 minutes or even less. I suspect that most audiences will start getting bored beyond that time unless, of course, you cast a spell over them to keep it going.



Or you could use the words scenes, acts or movements. A longer routine can be broken up into smaller segments each leading or building into another. A good routine is a series of related events strung together in a common theme that moves the plot ever forward. The trick, as with most, isn't entertaining by itself. It's the presentation and interaction that keeps the audience engaged and entertained.



This is solid. Eugene Burger had a great definition for showmanship as being the elimination of non-moments. We don't necessarily need every moment to be a "magic moment", but we do want each moment to have some sort of entertainment-based purpose.
M for Magic

Special user
.
658 Posts
Posted: Apr 10, 2012 10:09am    Reply with quote   View Profile of M for Magic  

One of the best,simple Cups and Balls routines I have seen and use often is Al Schneider's Quick Cups routine from Volume 1 of his Al Schneider Technique DVD Set.
Short, Simple, Lots of room to create your own patter (I do it fo Kid's)
And a good kicker/final load that is not awkward or telegraphed and can be customized.
Extremely well thought out for such a short routine.
And it gives plenty of food for thought as to how you might modify it.
Frank Starsini

Eternal Order
Northern California
12226 Posts
Posted: Apr 10, 2012 11:30am    Reply with quote   View Profile of Frank Starsini  

Quote:

On 2012-04-10 03:57, The Burnaby Kid wrote:

This is solid. Eugene Burger had a great definition for showmanship as being the elimination of non-moments. We don't necessarily need every moment to be a "magic moment", but we do want each moment to have some sort of entertainment-based purpose.


That is a very good way to think about it.
So, we all know now (or before) that we need entertaining presentations and a lack of non-moments.

Unfortunately, we are magicians, and because we are magicians, "moments" for too many of us means... "Last time I made the ball go down, and this time I'm going to make the ball go UP. AWESOME!!!"

-or-

I'm going to start with Ammar's opening, followed up by my own variation of Al's middler, then go to a 2 cup scenario so I can use Williamson's dish-dash-do-dah move, then to a one cup Don Alan thingy, then back to 3 cups for a Gazzo finish. 2 minutes of pure magic jam-packed into an hour and a half, with fun-filled puns, great for the entire family.

www.theambitiouscard.com Hand Crafted Magic

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kentfgunn

Inner circle
Tampa FL
1424 Posts
Posted: Apr 10, 2012 11:44am    Reply with quote   View Profile of kentfgunn  

Quote:

I'm going to start with Ammar's opening, followed up by my own variation of Al's middler, then go to a 2 cup scenario so I can use Williamson's dish-dash-do-dah move, then to a one cup Don Alan thingy, then back to 3 cups for a Gazzo finish. 2 minutes of pure magic jam-packed into an hour and a half, with fun-filled puns, great for the entire family.



Ah . . . you've seen my routine!
rmendez

Special user
San Antonio, Texas
833 Posts
Posted: Apr 10, 2012 2:54pm    Reply with quote   View Profile of rmendez  

What do you guys think about the chop cup coupled with classic cups and balls sleight of hand? Some believe a single cup is not interesting enough but I beg to differ. You can perform French Drop vanishes, the Charlie Miller move, and David Williamson's Striking Vanish before finishing with final loads. It is a single point of focus and is simple enough for drunk people to follow. It also takes up a fraction of the space in your close-up bag as well as the performance area.

Blessed be,
Richard M. Mendez

"For those who believe, no explanation is necessary.
For those who do not, none will suffice" -Joseph Dunninger
fortasse

Inner circle

1139 Posts
Posted: Apr 10, 2012 6:47pm    Reply with quote   View Profile of fortasse  

The word "short" (as in routine) keeps popping up. What's short? Two, three, four minutes, longer, shorter? Unless you're a spellbinder, I'm sure the attention span of most audiences will max out after just a few minutes.
Frank Starsini

Eternal Order
Northern California
12226 Posts
Posted: Apr 10, 2012 9:09pm    Reply with quote   View Profile of Frank Starsini  

Unless you're entertaining I'd bet that 2 minutes is about as much as an audience can handle.

www.theambitiouscard.com Hand Crafted Magic

Trophy Husband, Father of the Year Candidate,
Chippendale's Dancer applicant, Unofficial World Record Holder.
padre rich

Loyal user

276 Posts
Posted: Apr 10, 2012 10:11pm    Reply with quote   View Profile of padre rich  

I just took some cough medicine so I might regret writing this. Guys, HAVE FUN! Fun is contagious. Laymen don't care if you use a false transfer or if you use a machine that does the work for you on your right arm. Entertain! Entertain!Entertain! There are some FISM level routines that are BORING to laymen. I entertain laymen - I have an original routine that's complicated and it fools magicians- NOT PRACTICAL! What I use professionally is a my version of Scotty Yorks' one cup routine. It works for me- do what works for you and ENTERTAIN!

God's grace rocks! It makes a good cups and balls routine look pretty boring in comparison.
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