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metaljohn![]() Loyal user Montreal, QC 280 Posts ![]() |
Yeah I own that DVD (actually all 4) and after posting in this thread I remembered that. I'm gonna go back and watch that, I just haven't had the chance yet.
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EldonFowler![]() Regular user 110 Posts ![]() |
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On 2011-08-30 13:36, puggo wrote: Can I ask, where is this found please? It sounds interesting, especially as I love David Williamson! |
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Eric Fry![]() Regular user 193 Posts ![]() |
The subtlety of turning the right hand face up and pointing to it is attributed to Nate Leipzig. It is in Farelli's "Card Magic." It also shows up in Hugard's book about Jack Merlin, "...and a Pack of Cards," and in Bill Turner's "The Card Wizard."
Leipzig gave the move a different context in a trick called Leipzig's Acrobats in "Stars of Magic" and the Vernon/Ganson book "A Tribute to Nate Leipzig." Not such an awful pedigree for a move... You don't have to worry about key-card suspicions. Just thumb off the card face down to the spectator and let him return it to the deck and shuffle. |
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puggo![]() Inner circle 2016 Posts ![]() |
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On 2011-09-02 20:14, EldonFowler wrote: Sorry, I forgot to check back. I can't remember if this is on the International Magic Lecture, or else on Dave / Dave2. I'm away from home at the moment. Perhaps someone else will chime in. All 3 are excellent though! |
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Brainbu$ter![]() Veteran user Indianapolis, IN 326 Posts ![]() |
Even if you didn't need to force a card, I think offering the selection this way is not as natural as the classic force... even without the backslip. Even without the back slip, there is something suspect about it...people think you might stop where you want to stop, or try to time it.
I recently saw magician (or maybe he said he was a mentalist) on the Craig Ferguson show do a ballet slip force. Such an unnatural act! It's like seeing magicians choice done badly. |
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Steven Youell![]() V.I.P. 3866 Posts ![]() |
Quote:
On 2011-08-30 11:19, metaljohn wrote: Although I don't use this force anymore, it can be made silent and nearly angle proof. I'll send you a PM with link to a video that has some details on how to do that. I'm not making it public because it's just a Webcam shoot and done informally. But I think it might help you. I prefer the Classic Force which I believe can be made to be 100% effective. However regardless of which force you use, I think an important consideration is consistency in selection procedures. Spread Cards between your hands. "Please, touch a card." Spread Cards between your hands. "Please, pull out a card." Spread Cards between your hands. "Please, pick one out." Hold the deck in your left hand. "Say stop as I riffle down the deck." See? Anomaly. Just something to think about. SEY |
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Engali![]() Elite user 435 Posts ![]() |
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On 2011-08-30 16:47, Justin W wrote: These were the two sources I was going to pint to do to do the BSF as a straight force. Kurtz's handling in particular takes care of the possibility that spectators think a key card is being used. |
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Brainbu$ter![]() Veteran user Indianapolis, IN 326 Posts ![]() |
I second what SEY said about consistency.
If you spread the cards and say, "Take any card you like, makes no difference," when you DON'T need to force a card, then when you do need to force, you switch gears and do something different, it will draw attention to itself. Some spectators might feel a little pressured or rushed. |
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Steven Youell![]() V.I.P. 3866 Posts ![]() |
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On 2012-05-24 15:48, Brainbu$ter wrote: There are ways to handle that with presentation though-- but being aware that you need to address the issue is important. SEY |
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Engali![]() Elite user 435 Posts ![]() |
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On 2012-05-24 15:48, Brainbu$ter wrote: Which is why you should be using a wide variety of selection procedures if you plan on using any force that isn't done from a spread. |
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Steven Youell![]() V.I.P. 3866 Posts ![]() |
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On 2012-05-24 17:45, Engali wrote: A point I thought I made clear: avoid the anomaly. Probably should have spelled that out. SEY |
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magicfish![]() Inner circle 6918 Posts ![]() |
Don't overlook Bruce Cervon's work on this. The great Earl Nelson recommends Bruce's work published in the Cervon File in his excellent, Variations Revisited.
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magicfish![]() Inner circle 6918 Posts ![]() |
Another interesting approach is Dr. Ken Krenzel's Vertical Slip which can be found in his Relaxed Impossibilities by Stephen Minch. Ken's handling is very fair, open, and of course, relaxed.
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BenGGie![]() New user 67 Posts ![]() |
A while back Aaron Fisher put out the covered BSF, That was pretty cool
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Angel1998![]() Regular user Ho Chi Minh City,Vietnam 184 Posts ![]() |
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On 2011-08-30 13:50, Darth_Prime wrote: That is Covered Backslip Force ![]() ![]() |
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Justin W.![]() Loyal user Kansas 237 Posts ![]() |
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This hides the move and the noise, but then it looks like you're just looking at the card above to become a key card? How about embracing their suspicions of a key card, a la Tamariz? |
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