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The Magic Cafe Forum Index » » Shuffled not Stirred » » Best in hands false shuffle? (35 Likes) Printer Friendly Version

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TRI6KED
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Quote:
On Mar 25, 2016, ekgdoc wrote:
You might like Dan Fishman's full deck retention false overhand shuffle. I learned it from Patrick Redford's book Applesauce. Here is a demo on YT:

https://www.youtube.com/watch?v=iQzR1O6wiBw

I have become a fan of the optical false shuffle. Because it is so easy, it allows you to shuffle and simultaneously look directly at the spectator. I have done this many times standing right next to a spec and no one has ever mentioned seeing anything suspicious.

David M.

Dan Fishman's full deck retention false overhand shuffle is my favorite. Smile
pnielan
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Jared Koph in his Vanishing Inc video (which is very good by the way) refers to an added touch that Bill Malone has on his tapes. Does anyone know which tape and which effect.
mtgoldstein
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Very good question. I was wondering the same. Hope someone might know so I don't have to search through them all Smile
rjs
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It's all in the bounce! The bottom hand contributes.
See Bill Malone's Penguin Lecture.
1hr 5 mts Optical Shuffle

Also check out:
1hr 8 simulation shuffle (Ben Earl)
1hr 10 Push-thru shuffle tip
1hr 45 Optical shuffle again
Tim Cavendish
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Quote:
On Sep 16, 2016, rjs wrote:
It's all in the bounce! The bottom hand contributes.
See Bill Malone's Penguin Lecture.
1hr 5 mts Optical Shuffle

Also check out:
1hr 8 simulation shuffle (Ben Earl)
1hr 10 Push-thru shuffle tip
1hr 45 Optical shuffle again

This is great. Thanks for such a precise reference, rjs.
Ben Blau
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Here's a demonstration of the "Rosanna Shuffle" from my book, ASYMPTOTES:

https://www.dropbox.com/s/ra2dkuiq95bb4x......mov?dl=0
pnielan
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Jared Kopf in his Vanishing Inc video (which is very good by the way) refers to an added touch that Bill Malone has on his tapes. Does anyone know which tape and which effect.

(This post corrects the spelling of Kopf [from Koph] from my September 15 post.)
Tim Cavendish
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Rjs answered your question.
pnielan
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Quote:
On Sep 29, 2016, Tim Cavendish wrote:
Rjs answered your question.


Saw that. Thanks. Just wanted to correct my typo.
AndreOng1
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Truffle Shuffle by Derek DelGaudio is my favorite false shuffle.
JassTan
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I leant my false shuffle from Lennart Green, very deceptive. Been using it ever since, it takes a quite bit practise though.
Forty Six & 2
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+1 for The Real Green Shuffle. I found by switching the 'working' hand at the start of the shuffle I can eliminate the final cut, which turns this shuffle in to a full deck, in the hands f**se riffle sh***le Smile
Ask, knock and seek
godan65
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I did the same with the Grey Shuffle by Ben Earl. Final cut avoided Smile
Gennovense
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For me there are two must learn false shuffles, Guy Hollingworth's in the hands false shuffle and the Overhand False Shuffle by Dan Garrett. Ben Earl is also a good source when it comes to false shuffles....everything really.
Nikodemus
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I just came across this one, which I have never seen before. It might appeal to someone here on the Café -

https://www.youtube.com/watch?v=WrDjHGsIzI4
magicthree
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I like it and not hard to do. Thanks Nikodemus
magicthree
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Richard Turner has one very similar to this and maybe a little easier to do.
Kassim
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Combination shuffle by ben earl is really good
ddyment
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This topic has been explored in considerable depth here.

The discussion meanders a bit, but it does cover all the best-liked solutions.
The Deceptionary :: Elegant, Literate, Contemporary Mentalism ... and More :: (order "Calculated Thoughts" from Vanishing Inc.)
BAGWIZ
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I’m probably shooting myself in the foot here, but is any spectator ever actually fooled by a false shuffle and/or cut? In fact, even if the magician actually DOES shuffle a deck of cards, does any spectator ever actually believe he/she has done so?

My sense is, no.

The average spectator likely has no idea how false shuffles and cuts are technically done, but my guess is that most halfway intelligent people are aware such techniques exist.

Yet we (myself included) spend countless hours practicing and perfecting these techniques.

Why?

And that, I think, is a more interesting question to explore/discuss than one’s favorite false shuffle, which even if performed flawlessly, deceives no one.
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