Thank you. I didn't realize that all the models allow the mirror to be removed. I had the impression that some versions didn't have a slot and that the mirror was fixed inside the frame. I must admit I wasn't able to spot the slot in Tony Karpinski's video.

Regarding the Karpinski model, I'd be very interested in hearing from someone who actually owns it. I came across a review mentioning that it is very loud and that it may not be suitable for smaller performance settings.
Has anyone here had the same experience with it?

Thanks again!

Hello,

I finally decided to go ahead and purchase the Flexible Mirror by Karpinski. I'm sharing my experience here in case it's useful to others:

In terms of materials, the mirror is both beautiful and elegant. What stands out most is how easily it could pass for an ordinary household mirror. The wooden frame features a minimalist, refined design that avoids the typical "magic prop" look. The hinges are fully concealed, so there's no need for any extra handling to disguise them.

The mirror is quite thick and doesn't feel fragile. Of course, it would break if dropped, but doesn't give the impression that it could break easily. It's mirrored on both sides, front and back, as if two mirrors had been joined together at the back.

The frame includes a slot along one of the longer sides, allowing you to remove the mirror and display it to the audience if desired. While removing it is smooth and easy, reinserting it is not always as fluid as one might hope. At times it can catch slightly, requiring small, careful adjustments to guide it back into place. I can't say whether this applies to all units, but it does in mine. When the mirror is out, the slotted side of the frame feels somewhat delicate due to its thinness, suggesting that careful handling will be important for long-term durability. The same applies to the hinges: they function well, but the overall construction doesn't feel especially rugged, so a certain level of care will be necessary.

As for noise, the mirror can produce a faint sound as it slides through the slot. However, this is far less of an issue than some reviews suggest, even in small and quiet performance settings. In fact, when the mirror is inside the frame it shifts slightly, and this incidental movement effectively masks the sound of the secret action.

The bag is well made. After several rehearsals (and many needles passing through it) it remains in exactly the same condition as on the first day.

Overall, I'm very satisfied with the purchase and confident that I will use it. After researching the different models currently available on the market, I believe this is a very strong option, if not the best one.

Eduard