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The Magic Cafe Forum Index » » Shuffled not Stirred » » “Sequences” with mem-deck (3 Likes) Printer Friendly Version

Maxyedid
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Hi

Im interested in learning and hearing about “sequences” of effects with mem deck (any stack), that is effects that’s natural to chain them together one after the other.

I have to be honest I didn’t see anything published in this area except of course for the Particle System but apart from that I only see individual effects but never routines.

Do you have a number of effects you normally perform in sequence?

Thanks
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JanForster
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Yes, I do …. But it is very special and individual. I think, best is discovering and creating things on your own, honestly! But I recommend especially Simon Aronson‘s book „Try the Impossible“. Good starting point and inspiration. Jan
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Cain
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See Ackerman's Opener.
Ellusionst discussing the Arcane Playing cards: "Michaelangelo took four years to create the Sistine Chapel masterpiece... these took five."

Calvin from Calvin and Hobbes: "You know Einstein got bad grades as a kid? Well, mine are even worse!"
JBSmith1978
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I venture most seasoned memdeck workers have either a set or general progression to their memdeck work.
In the published record many in the past fifteen to twenty years at least marginally address this(and before).
Tamariz, Behr, Aragon, Tait, DaOrtiz, Hartling just to name some of the usual suspects all address this directly or indirectly in the literature.
k2aust
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I'd also recommend simon aronson dvd set, one of his dvd is dedicated souly to Mem deck and he performs a few routines.
k2aust
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Ultimately though I'd just take youre favorite effects and see if you can make them better using a Mem deck or see if you can maintain the order
Steve Burton
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I would be cautious about performing too many effects in a sequence using the same method i.e. a memorized stacked deck. After a few routines the viewer may surmise the cards are in a certain order. I've noticed this particularly with Si Stebbins workers who often use a pattern to have cards selected and then replaced back into the same position in the deck.
Nikodemus
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I think it is a good idea to structure your sequence to allow a spectator to shuffle the deck and than switch in the stacked deck. This is especially cunning if it can be done as part of an effect rather than between effects.
JanForster
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Look up as a good example Aronson‘s „Bait and Switch“ in the „Aronson Approach“… Jan
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The_MetalMaster
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Quote:
On Jan 31, 2026, JanForster wrote:
Look up as a good example Aronson‘s „Bait and Switch“ in the „Aronson Approach“… Jan


do you perform this Jan? This is the one routine of Simon's that I thought would be excellent in a stand up/stage show performance. Another is Two Beginnings.
JanForster
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Yes, I do occasionally, apart of another own creation which is a modification of Darwin Ortiz’ “Harry in your pocket” which is a very strong effect. But apart a force I don’t need any sleights and it is a full deck switch (in its case) and looks exactly like Ortiz’ effect (I never understood why he needed the palming…). The deck switch is exactly the switch I explain in my first Penguin lecture, the pen is used to sign the seal of the apparently shuffled deck, now in its case (shuffled by the spectator)…. A very strong effect which allows for the switch during the performance of it …. Smile Jan
Jan Forster
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The_MetalMaster
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Quote:
On Jan 31, 2026, JanForster wrote:
Yes, I do occasionally, apart of another own creation which is a modification of Darwin Ortiz’ “Harry in your pocket” which is a very strong effect. But apart a force I don’t need any sleights and it is a full deck switch (in its case) and looks exactly like Ortiz’ effect (I never understood why he needed the palming…). The deck switch is exactly the switch I explain in my first Penguin lecture, the pen is used to sign the seal of the apparently shuffled deck, now in its case (shuffled by the spectator)…. A very strong effect which allows for the switch during the performance of it …. Smile Jan


I know exactly what switch you're talking about. I'm going to have to go back and watch the Penguin lecture again though as I don't remember the effect exactly. Thanks for the info!
JanForster
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The effect („Harry in your pocket“) is not in the lecture, but the switch (in context of a different routine). But if you see the switch and study Ortiz‘ routine you will see immediately the combination (only one force, nothing more, no palming…). I have published my routine in one of my German books (2012), it will be in my English book (being ready hopefully this year…), but if you like send me a PM and your mail address and I‘ll send the routine to you (easy to translate using ChatGPT Smile …). Jan
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Nikodemus
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When I wrote my post above, I was thinking of an effect by Jan Forster. I didn't want to mention it by name, but it is in his Penguin lecture and it is brilliant!
JanForster
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Thank you… Smile
Jan Forster
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